Pan Periastral

To continue on the theme of mythological imagery in poems, the poem below is without a doubt one of my favorite examples of this that I ever wrote.

Pan Periastral was an erotic love-and-sex poem I wrote in December 2006 for a special occasion and a very special person, and a philosophical statement as well. The title—with its compound meaning for Pan, including 1) the randy god and really the whole amorous pantheon (Aphrodite, Eros), 2) a Brahman-cosmological “everything,” and 3) metonymy for physical Nature—was chosen in part to refer to the strong assertion in the poem of the inseparable expression of the ethereal, symbolic, and idealized (LOVE) in the actual, immediate, and sensorial (SEX). I felt that there was no need to separate this dichotomy, because through the latter you could experience the former—in fact, only through the animal could the transcendental be discovered.

You can also tell that I was influenced by the idea of Uranus and Gaea being in love, which you may remember from the same charming illustration in d’Aulaires’ Greek Myths that I do.

Pan Periastral

In celestial arms embrace
two worlds to float the firmament of heaven.
Orbits dance in brilliance
on twosome paths of starry night.

Sun-time melts in solar stillness
when the earth and sky adore.
On the surface senses stage
an ageless transcendental taction.
An atmosphere of touch
retells ethereal caress.

A feral huntress holds each breath
— a cosmos inhalation.
Her delicate advances move
through underbrush of wild ginger,
meanwhile hunger stalks with cyclopean manners.

Lepidoptera alight on limbs
and quiver concupiscent,
butterflies with tiger eyes
that fold to hold in storms.

Bumblebees brush desperate buds
and hum to dewy ocean flowers.
In the sibilance of sighing rushes
comes a thrum of nectar’s bliss.

Dolphins crash past rolling hills
in swells by curving
inlet shorelines,
wave crests cut by petrels
screaming tempest songs for gales.

Lured by lunar rhythm hard
against the bulwark shore the sea
of azured lapping lazuli now
beats to white-hot foamy flecks, and
Aphrodite’s born again
from copious delight.

A silver disc adorns the stillness.
The moon reflects on pools blood-black,
in tidal inkwell shadow
after calm receding light.

(dedicated to Evi Numen)

One response to “Pan Periastral

  1. Also of interest, on Aphrodite:

    “Among the neo-Platonists and eventually their Christian interpreters, Aphrodite Ourania figures as the celestial Aphrodite, representing the love of body and soul, while Aphrodite Pandemos is associated with mere physical love.”

    So, there is the modern problem in a nutshell.

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